On 28 May, Kenyan author and academic titan Professor Ngũgĩ wa Thiong'o passed away in the United States at the age of 87. A fierce critic of colonialism and post-independence authoritarianism, Ngũgĩ redefined the role of literature in the fight for liberation and the broader intellectual struggle for decolonisation. Regarded as one of the greats of 20th-century African literature, his death has been mourned widely and comes at a moment when the topics he grappled with, including police brutality, corruption and state overreach, are prominent in the public eye once again.
Since its inception, Brigade N'Hamedu, also known as the 'Blue Revolution,' has focused on targeting the pro-Eritrean regime's cultural festivals-- long used to fundraise, intimidate potential opposition, and serve as propaganda tools. While Brigade N'Hamedu is not Eritrea's first diaspora-based opposition movement to challenge these notorious events, its scale and scope have set it apart from previous efforts. The movement gained particular momentum toward the end of 2022, with protests aimed at exposing and resisting the transnational and domestic repression orchestrated by the Eritrean regime and its diaspora institutions garnering significant attention.
The modern story of Somalia tends to be told through the narrow lens of conflict. As the 'poster child' of a failed state, depictions of Somalis have often been reduced to one of piracy and famine, driven by Hollywood films such as Black Hawk Down and Captain Phillips. As such, there has been a tendency to reduce the rich and nuanced Somali culture to one single narrative of chaos and violence – erasing the creativity and humanity of Somalis. Though internecine conflict and political instability have nevertheless dominated the lives of millions of Somalis since the 1990s, the nuance of poetry and art's relationship to these issues can often be overlooked.